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Understanding 9/11Japonisme and the rise of the modern art movement : the arts of the Meiji period : the Khalili collection
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240 pages : 35 cm
"From the 1860s to the 1890s, the rise of Japonisme and the Art Nouveau movement meant few could ignore or resist the obsession with all things Japanese. Superbly crafted and often highly decorated Japanese objects -- lacquer, metalwork, ceramics, enamels, and other decorative items -- stimulated and inspired Western artists and craftsmen to produce their own works. Arts of the Meiji period (1868-1912) were displayed at international exhibitions, in the galleries of influential dealers, and at fashionable stores. Artists from van Gogh, Whistler, Monet, and Edouard Manet to Klimt and Schiele were all, to varying degrees, influenced by the Japanese art. Van Gogh himself stated that he owed his inspiration to Japanese art, but he was probably not conscious of the full extent to which art in Europe had already been influenced by that of Japan."--Publisher website
From the 1860s through to the early 20th century the rise of Japonisme and the Art Nouveau movement meant that few could ignore or resist the obsession with all things Japanese. Superbly crafted and often highly decorated Japanese objects lacquer, metalwork, ceramics, enamels and other decorative items excited, stimulated and inspired Western artists and craftsmen to produce their own works. 'Arts of the Meiji' period were displayed at international exhibitions, galleries of influential dealers and at fashionable stores in London, Paris and Vienna. This book includes many examples of the superlatively designed and executed decorative arts of the Meiji periods from the Khalili Collection, the greatest collection of Meiji period art in the world. Artists such as Van Gogh, Klimt and Schiele were all, to varying degrees, influenced by the arts of Japan. Van Gogh said that he owed his inspiration to Japanese art, but even he was probably not aware of just how much art in Europe had already been greatly influenced by that of Japan
"220 illustrations in color and black and white"
Includes bibliographical references (pages 226-228) and index
"From the 1860s to the 1890s, the rise of Japonisme and the Art Nouveau movement meant few could ignore or resist the obsession with all things Japanese. Superbly crafted and often highly decorated Japanese objects -- lacquer, metalwork, ceramics, enamels, and other decorative items -- stimulated and inspired Western artists and craftsmen to produce their own works. Arts of the Meiji period (1868-1912) were displayed at international exhibitions, in the galleries of influential dealers, and at fashionable stores. Artists from van Gogh, Whistler, Monet, and Edouard Manet to Klimt and Schiele were all, to varying degrees, influenced by the Japanese art. Van Gogh himself stated that he owed his inspiration to Japanese art, but he was probably not conscious of the full extent to which art in Europe had already been influenced by that of Japan."--Publisher website
From the 1860s through to the early 20th century the rise of Japonisme and the Art Nouveau movement meant that few could ignore or resist the obsession with all things Japanese. Superbly crafted and often highly decorated Japanese objects lacquer, metalwork, ceramics, enamels and other decorative items excited, stimulated and inspired Western artists and craftsmen to produce their own works. 'Arts of the Meiji' period were displayed at international exhibitions, galleries of influential dealers and at fashionable stores in London, Paris and Vienna. This book includes many examples of the superlatively designed and executed decorative arts of the Meiji periods from the Khalili Collection, the greatest collection of Meiji period art in the world. Artists such as Van Gogh, Klimt and Schiele were all, to varying degrees, influenced by the arts of Japan. Van Gogh said that he owed his inspiration to Japanese art, but even he was probably not aware of just how much art in Europe had already been greatly influenced by that of Japan
"220 illustrations in color and black and white"
Includes bibliographical references (pages 226-228) and index
![[WorldCat (this item)]](/images/worldcat-small.png "[WorldCat (this item)]")
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